
NICOLE PRICE



Postcards
I am fascinated by the collections that so many of us hold on to, that are dragged around with us each time we move house, like a vessel for memories, the extended self.
When clearing out an elderly relatives home I came across boxes of old postcards, letters, stamps, theatre programmes and hundreds of old photographs. It was a personal archive or collection, pieces of a puzzle that made up the individual.
Christian Boltanski explored the relationship between people and their possessions in Inventory of Objects Belonging to a Young Man, Modern Art Oxford
I investigated the phenomena of collecting, and was particularly interested in Susan Pearce: On Collecting: An Investigation into Collecting in the European Tradition.
Looking at the work of Lucy McKenzie I experimented with painting in a trompe- l’oeil style. I chose postcards and letters and photographs, putting them together as a condensed collection trying to give a glimpse of the identity of the collector.
I am interested in ideas surrounding nostalgia and the object, and researched this further in On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection by Susan Stewart.
I felt these paintings were not successful as the images conjured up vintage commercial images rather than evoking keepsakes and memorabilia. It seemed to reference nostalgia but in a collective rather than private way. The personal asssociations with the postcard and their messages to the receiver were lost in this kitsch portrayal. They didn’t have thoughtfulness such as that seen in the postcards of Vija Celmins
